Mr.Tsiaras, what is interesting for the artist, to look into the future or looking back in time? How important do you consider your recent work, now using the archaic image of Alexander the Great in this time period for Greece?

All artists love history, even those iconoclasts who try to make you believe they can destroy history -love it, which is why they are so preoccupied with it.

How do you feel returning to Greece with a new exhibition especially now during the era of the Pandemic?

I always feel like returning to Greece no matter where I am. That is the sad and joyous part of it. In other words, we Greeks of the Diaspora live a special dilemma, as to Who we are and Where we should be. We are bound to the culture that we grew up in, in my case American, the place where we were educated and spent our formative years-yet in our DNA is the Motherland, Ellada, the parched sun and salted sea, the mixture of senses, wild sage, oregano, and night-flowering jasmine. These are the inescapable things that remind, and then there is the visual beauty of this country that, as the Poet Seferis says, “wounds us”. OK Now to the pandemic, another kind of “wounding”- this one more is actual than metaphysical.

Philip Tsiaras puts the Dot in Pop Art

by Sakis Ioannidis | “K” Magazine Kathimerini, Jan 2020

*( The original article in Greek can be found here )