“IMAGES IMAGES IMAGES” by Marco MeneguzzoIn a general text regarding the work of Philip Tsiaras written in 1995, on the occasion of a monograph and a series of exhibitions, I tried to identify some of the powerful nuclei of his

“Nomadic Icons” by Carmela StranoIn his most recent works Tsiaras defines, in a more substantial and original way, the relationship between conceptual attitude and gestural painting. His art is always characterized by a duality which determines eclectic solutions, or prevails